Thursday 29 March 2018

Panel #38: #CaptainAmerica In London Part 2


Having spent almost two years curating this blog, I am delighted to open this post with an announcement: The Cartoon & Comic Book Tour Of London Blog is all set to become a real life London Walks tour! Pow! A Cartoon & Comic Book Walking Tour of London – Superheroes & Satire In The West End joins the London Walks repertoire on Saturday 15th September at 10:45am (meeting at Westminster tube exit 4)

To celebrate, here's a two-part post on Captain America in London!



Looking For Captain America In London – Part Two


Captain America 253 Roger Stern & John Byrne, Illustrated by John Byrne (1981)

Cap is back in Blighty in 1981 to fight Baron Blood once more, and the first London icon to be referenced is the infamous Jack the Ripper case. At the top of the story, The Slasher has claimed his third victim and the reference point is clear. Here’s Byrne's opening page

(You can buy digital versions of all the Marvel comics covered in this post here: marvel.com/comics


… and here’s the infamous Illustrated Police News from 1888…




The Tower of London makes a cameo appearance and in a lovely little flourish, writer Stern pauses between punches to delivery a quick history lesson…






Captain America #305 Michael Carlin (writer) Paul Neary (artist) (1985)


Four years later, Cap returns to the Big Smoke to assist Captain Britain in his darkest hour fighting the wicked Mordred The Mystic, illegitimate son of King Arthur and a thoroughly bad egg.


This being 1985, Concorde was the only way to fly…


(How Steve Rogers, a skint graphic designer, could afford to fly Concorde we’ll never know. Maybe in the same way that Wonder Woman can afford a central London pad in my earlier post.)


In one of my favourite details, Cap jumps on the tube – literally – at Heathrow…



(You can buy digital versions of all the Marvel comics covered in this post here: marvel.com/comics


Imagine that! Squeaky clean Captain America is a fare dodger! Are you reading this Mr Mayor? I’m loving the parallel between comic books and real life here. Captain America is a tube fare dodger, and the U.S Ambassador won’t pay the Congestion Charge!

(Transport pedants - and my colleagues Fiona & Harry – will notice that the train is going to Victoria. The tube for Heathrow airport at this point in time was Hatton Cross and trains did not go to Victoria from there.)


Cap gets inveigled into a fight with Mordred and in an epic, aerial punch-up (ah, they don’t make ‘em like this anymore) blows are traded over Tower Bridge, St Paul’s and Big Ben. But the location I’m choosing from Captain America 305, and making its debut in The Cartoon & Comic Book Tour Of London Blog is The Post Office Tower…


… where Cap finds respite from the fight and uses one of the satellite dishes as a decoy shield to foil the wicked Mordred.

The Post Office Tower – now the BT Tower – was opened in 1965. It looked futuristic then, it looks futuristic in the comic book from 1981, and, to my eye, it still looks futuristic today. 

Find the BT Tower here…





Captain America Steve Rodgers #9 Nick Spencer (Writer) Javier Pina with Andres Guinaldo (Artists) 2017


Cap’s most recent adventures have been turbulent indeed. And I, for one, have fallen in love with the character all over again.



In 2014 Steve Rogers lost his ability to remain youthful and the mantle of Captain America was taken by Sam Wilson who, as The Falcon was the first African American superhero in mainstream comics. The inaugural adventure of the first black Captain America opened with Wilson defending Mexican immigrants at the U.S border.

It is one of this reader's most exhilarating comic book experiences.


The AltRight, inevitably, blew up. “Captain America Has A New Enemy,” screamed a Breitbart headline, “Conservatives Concerned About Illegal Immigration.”


Then in 2016, with Steve Rogers back in the mask (and young again! Hey, this is comic books, anything can happen!) it is revealed that Captain America has been a sleeper agent of Hydra all along (!!!!!). Hydra, for the uninitiated, is a terrorist organization with deep ties to the Nazis – hence my earlier use of five exclamation marks!!!!!


It was the plot twist that, in that wonderfully daft, catastrophising millennial phrase, broke the internet. Everyone had something to say. If there was any remaining doubt about Cap’s status as a political figure, it was surely all gone




Writer Jessica Plummer, with clear-headed anger and a keen sense of heritage, wrote, “I am angry, because Steve Rogers’s Jewish creators literally fought in a war against the organization Marvel has made him a part of to grab headlines.”

Captain America's writer Neil Spencer speaking to The Daily Beast, said, “I’m the most hated man in America today.”


Me? I loved the whole thing. The furore was fascinating as it unfolded, with debates on anti-semitism and racism ignited by what many would still deem to be a mere comic book. The real life political context, in which Trump made his victorious run for the White House was something that Spencer and the commissioners at Marvel could not possibly have planned.

More than anything, though, I loved the bravura storytelling. Enjoy would be completely the wrong word. It was tough going sometimes, but at the end of every issue I was knocked out by the sheer audacity of it all.

And a London location? He turns up at The Shard in issue #9. Perhaps this is symbolic of a new era for London is comic books – no sign of Big Ben, here. Is this because London is finally acquiring a modicum of world class, signature modern architecture amid all the designed-by-Minecraft modernity? I do hope so.



Too right wing for some. Too wet-liberal for others. Too imperialist to even read for others yet. So… how DO you solve a problem like Captain America? Well, you don’t. Because he’s ALL problem. ALL the time. Which makes him one of the most fascinating characters in the canon.


Cap also turns up in 1602 an ingenious short series written by Neil Gaiman which transposes the beloved characters of the Marvel Universe to Jacobean London. 1602 will feature in a future post of The Cartoon & Comic Book Tour of London.

Monday 26 February 2018

Panel No.37: #CaptainAmerica In London Part 1

Adam writes…

Having spent more than two years curating this blog, I am delighted to open this post with an announcement: The Cartoon & Comic Book Tour Of London Blog is all set to become a real life London Walks tour! Pow! A Cartoon & Comic Book Tour of London – Superheroes & Satire In The West End joins the London Walks repertoire on Saturday 15th September at 10:45am (meeting at Westminster tube exit 4)

To celebrate, here's a two-part post on Captain America in London!




Looking For Captain America In London – Part One





(You can buy digital versions of all the Marvel comics covered in this post here: marvel.com/comics


How do you solve a problem like Captain America?


Me personally? I don't have a problem with the all-American, bullet-headed, Saxon mother's son type of a superhero.

I would have a problem if ALL comics featured such leading characters, not least on grounds that it would be ever-so-slightly boring.

But in this age of Graphic Storytelling Is the New Lit, there is a pressure on comic book writers and artists to do something radical with the old characters. So back to the question…

How do you solve a problem like Captain America?


First let's address the great contradiction at the heart of outwardly the most conventional, most squeaky clean, most pro-establishment of all Marvel characters (surely only Superman over at DC comes close to Cap for sheer, dull wholesomeness): for one of the good guys, Captain America sure gets up a lotta people's noses.

All political figures do. And if you're going to drape a fictional character in a flag, then he's going to become a political figure whether you want him to be or not.


His first deed on the public stage was political:


He punched Hitler in the mush.




The diminutive Austrian painter and decorator did, after all, have it coming.

So what's not to like?

Well…

The year is 1941, a full year before the attack on Pearl Harbor with the isolationist movement in the US a powerful force. As such, the comic came in for severe criticism and, legend has it, police protection was arranged for writer Joe Simon the comic's creator after serious threats. Grant Morrison's seminal Supergods: Our World In The Age Of the Superhero tells us that Cap artist Jack Kirby confronted American Nazi sympathisers in person with sleeves rolled-up. That's the spirit. 


Built for WWII, he immediately went stale in the early days of the cold war and lumbered along until the early 60s as Captain America – Commie Smasher.


In 1964 Stan Lee and Jack Kirby restored him to his former glory as head of super hero team The Avengers. Thus Cap rode out the so-called Silver Age of Comics.

It was during the following Bronze Age period that Cap returned to London.

The Bronze Age (roughly 1970 – 1985) is typified by a return to the darker, weightier subject matter of the Golden Age comics (1938 - 1950) – such themes as prejudice in all forms (see above) and social injustice.

And here’s Cap’s problem: how does a superhero draped in the livery of the ultimate Establishment go about representing the little guy? The trick  to take him back to the context when the villains were more clear cut, back to his heyday… the war years. Enter the mono-testicular house painter once more. Cap is always much more believable punching Hitler than socking, say climate change.

Tellingly, all three visits to London listed here in this two-part post reference his wartime backstory. 


Even the subtext of his London adventures – in support of two British Marvel superheroes, Union Jack and Captain Britain – calls to mind America's entry into WWII.

(I’ll come back to Captain Britain later in this series – and he’ll feature in the walking tour this September.)



Invaders #8 by Roy Thomas (words) and Frank Robbins (art) September 1976

Union Jack – James Montgomery Falsworth, a peer of the realm, no less, was a hero of WWI. Captain America (as part of WWII superhero team The Invaders with Sub Mariner and The Human Torch) comes to his family’s aid when Union Jack’s arch enemy Baron Blood – a vampire (yup, it’s rip roaring stuff!) – raises his ugly head once more.

The Tower of London features briefly as does the inevitable Big Ben*. But my favourite panel features all of The Invaders above the Thames…


(You can buy digital versions of all the Marvel comics covered in this post here: marvel.com/comics



… note the bridge in the background? Westminster Bridge. Check out the street lamps. Lovely, detailed touch this, greatly at odds with the often broad brush strokes that Marvel so often apply to non-American cities.



(*Yup. Big Ben. Just like Scooby Doo. And Spiderman. And Deadpool. And Disney. And Danger Mouse. This why I've chosen Westminster tube as the starting point for my Pow! A Cartoon & Comic Book Tour of London in September.)


Find Westminster Bridge here…




Part two will follow…

Saturday 27 January 2018

Coming Soon! The #Cartoon & #ComicBook Walking Tour With The Famous @londonwalks Company!

Very excited to announce that this blog is finally going to become a real life walking tour!

Here's a quick preview, more news soon!